Experimental customisation of the Versioning Machine

This paper deals with challenges in adapting the XML-TEI publishing framework Versioning Machine to compositional drafts of 20th-century literary works and describes the main customisations that have been implemented to suit a genetic edition of poetry by Pedro Homem de Mello. The case study emphasises that even minimal customisations require technical work that may go beyond an editor’s skill.info:eu-repo/semantics/publishedVersio

InCritApp — Interactive Critical Apparatus

Projektberich

Introduction: Versions of Cultural Objects

The version of a cultural object is identified, defined, articulated, and analysed through diverse mechanisms in different fields of research. The study of versions allows for the investigation of the creative processes behind the conception of the object, a closer inspection of the socio-political contexts that affect it, and may even provide the means to investigate the object’s provenance and circulation. At a symposium at Maynooth University, scholars from different research areas exchanged ideas about different forms of media, including text, image, and sound, to work towards an understanding of the term versioning in the broadest sense. While the understanding of versions and related terminology differs between disciplines, a cross-disciplinary dialogue will highlight the range and depth of existing studies and provide an interdisciplinary understanding of the term versioning which will be useful for a more holistic conceptualisation. The present volume tries to contribute to this dialogue by providing eight peer-reviewed articles resulting from the discussion and presentations held at Maynooth University

Discussing Interfaces in Digital Scholarly Editing

Interfaces define how research material is presented. They shape the view recipients acquire from historical sources. Since the digital medium is more open to variations than the once traditional form of presenting Scholarly Editions in printed book form, discussions on how to deal with the new possibilities started at a very early stage after the emergence of digital scholarly editions. In the beginning these were strongly influenced by traditional presentation practices but have shifted to aspects more associated with the digital paradigm. Theoretical approaches towards interfaces, however, were only sporadically published and have been continuously demanded by the scholarly community. This introduction attempts to summarize the scholarly discussions on interfaces and provides an overview of the papers presented in these proceedings: they offer both theoretical approaches and discussions of practical implementations together with studies evaluating interfaces

Der Regensburger Reichstag 1576 — digital

Projektberich

Versioning Cultural Objects : Digital Approaches

This volume approaches an understanding of the term versioning in the broadest sense, discussing ideas about how versions differ across forms of media, including text, image, and sound. Versions of cultural objects are identified, defined, articulated, and analysed through diverse mechanisms in different fields of research. The study of versions allows for the investigation of the creative processes behind the conception of works, a closer inspection of their socio-political contexts, and promotes investigation of their provenance and circulation. Chapters in this volume include discussion of what a “version” means in different fields, case studies implementing digital versioning techniques, conceptual models for representing versions digitally, and computational and management issues for digital projects

Digital Scholarly Editions as Interfaces

The present volume “Digital Scholarly Editions as Interfaces” is the follow-up publication of the same-titled symposium that was held in 2016 at the University of Graz and the twelfth volume of the publication series of the Institute for Documentology and Scholarly Editing (IDE). It is the result of a successful collaboration between members of the Centre for Information Modelling at the University of Graz, the Digital Scholarly Editions Initial Training Network DiXiT, a EC Marie Skłodowska-Curie Action, and the IDE. All articles have undergone a peer reviewing process and are published in Open Access. They document the current state of research on design, application and implications of both user and machine interfaces in the context of digital scholarly editions. The editors of the volume are grateful to the Marie Skłodowska-Curie Actions for enabling not only the symposium in 2016 but also the publication of the present volume with their financial support. Special thanks are also due to the staff of the Centre for Information Modelling, above all Georg Vogeler, who contributed to the successful organisation and completion of the symposium and this volume with their ideas and continuous support. Furthermore we want to thank all authors as well as all peer reviewers for the professional cooperation during the publication process. Last but not least we want to thank the many people involved in creating the present volume: Barbara Bollig (Trier) for language corrections and formal suggestions, Bernhard Assmann and Patrick Sahle (Cologne) for support and advises during the typese ing process, Selina Galka (Graz) for verifying and archiving (archive.org) all referenced URLs in January 2018, Julia Sorouri (Cologne) for the design of the cover as well as the artist Franz Konrad (Graz), who provided his painting “Desktop” (www.franzkonrad.com/gallery/desktop-2008-2010/) as cover image. We hope you enjoy reading and get as much intrigued by the topic “Digital Scholarly Editions as Interfaces” as we did

International Consensus Statement on Rhinology and Allergy: Rhinosinusitis

Background: The 5 years since the publication of the first International Consensus Statement on Allergy and Rhinology: Rhinosinusitis (ICAR‐RS) has witnessed foundational progress in our understanding and treatment of rhinologic disease. These advances are reflected within the more than 40 new topics covered within the ICAR‐RS‐2021 as well as updates to the original 140 topics. This executive summary consolidates the evidence‐based findings of the document. Methods: ICAR‐RS presents over 180 topics in the forms of evidence‐based reviews with recommendations (EBRRs), evidence‐based reviews, and literature reviews. The highest grade structured recommendations of the EBRR sections are summarized in this executive summary. Results: ICAR‐RS‐2021 covers 22 topics regarding the medical management of RS, which are grade A/B and are presented in the executive summary. Additionally, 4 topics regarding the surgical management of RS are grade A/B and are presented in the executive summary. Finally, a comprehensive evidence‐based management algorithm is provided. Conclusion: This ICAR‐RS‐2021 executive summary provides a compilation of the evidence‐based recommendations for medical and surgical treatment of the most common forms of RS